I'm off to a writing retreat this weekend and am taking some of my collage supplies to share with my friends so we can have some art fun. These are some inspiration cards I did up quickly for examples for them. The small ones are ATC size and the larger ones are those pesky magazine subscription cards.

Some of you have already seen this on Facebook or Google+ and if so, I apologize for the repeats. I'm still getting myself back up to speed with posting to my various regular haunts.

Here's the journey through a recent piece of art I did for a memorial book for a friend who had recently passed.

This was the beginning.

Next phase after many more layers.

And the final version.

I learned a lot through this process.

I’ve been working steadily on my 15 Words or Less art journal and think I can mark it pretty much D for Done. It was a great learning experience for me on how to use various paints and inks, how to make textures, and how to add layers. I don’t love every page but I like them all and love a lot of them. The handwriting bugs me the most but not enough to paint over it and start again. It’s a learning journal, not a piece of museum art. A lot like an early draft of novel.

I’ve posted a few of my favorites here. You can click on the picture to see the larger versions or go here to see the entire album on Flickr.

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Last week I shared some backgrounds I was working on for my 15 Words or less art journal.  I have some of the pages finished or close to finished. Art, like writing, is a constant learning process. There are some things I really like about each of these pages and some things I don’t. There are sections I look at and feel, mostly in my gut, that something isn’t working but I don’t know what. Like I said, it’s all a learning process. If you’re interested in more detail you can click on the picture to see it larger.

I would have liked to do make the pictures move more to the back of the page, like with an image transfer, but I don’t have the energy to do 50 image transfers for this book. So I’m concentrating one trying to blend them in effectively. It works better on some than on others. I wish I had paid more attention to the sizes of the photos before I printed them out but it was another good learning process for me.

I like sharing this in various stages and even if they are less than "finished" because it helps me feel better overall about putting myself out. Not everything I write or make is going to be terrific or appeal to everyone and that’s okay. I started with a watercolor book, painted the pages with various Golden Fluid acrylics. Collaged the pictures and various papers, added more color with my Neocolor II, Portfolio Oil Pastels and walnut inks. I love using the walnut inks but they take DAYS to dry. Grrr. Even with using a blow dryer on the page. I use the Sharpie Poster Paint water-based pens to write on all the pages.

Right now with art I think I am stronger in colors that I believe I am. I think my weak point is composition. I hate my handwriting (doesn’t everyone?) but I wanted the handwritten connection to the words here since this are all poetry warm-up exercises. Nothing to be written in gold or carved in stone or worried about.  posts a picture on Thursdays and those who want to play along, write a poem of 15 words or less. It’s a nice way to warm up the writing muscles for the day. I printed out the photos she posted on the days I’ve participated (so far). I may take some of these "warm-ups" and work on them more. Or not. I may take some of the pages and work on them more. Or not.

Such is the creative process.

Working on these pages is such good thinking time for my writing.

What kind of art making is feeding your soul these days?

I decided to make an art journal of all the poems I wrote for ‘s 15 Words or Less poetry exercise she does every Thursday. I downloaded all the pictures for any of the photo prompts I wrote a poem for. They’re all printed out and waiting to go on the pages. Today I finally finished all the backgrounds in the journal. These are a few of my favorites.

Now it’s time to start phase 2, collaging the photos and adding the poems.

A few more in my album over on Flickr.

I made these yesterday, playing around with ATCs (Artist Trading Cards) and some larger cards, trying to get a feel for what size I like best. The first one is slightly larger than ATC. The next two are standard ATCs (2.5 x 3.5 inches) and the last two (the largest) are magazine subscription cards that were built up with paint and collage. The wordy backgrounds were from when I ripped up old Horn Book magazines a few weeks ago. I glued them onto to some cards to have some bases ready and just reached for them when I started to play. I didn’t plan the collage elements around the words but it is funny to see that the barking dog points to the word “violence”.

Even more fun than making them, was seeing the look on ’s face when I gave them to her today. She’s been playing with some artsy stuff of her own and I was hoping to inspire her to continue to do so.

You can click through see the larger versions in the Flickr album.



 

I wanted to come up with some wonderful title about the interesection of writing and art in my life so I could write more posts using the same wonderful title about the interesection of writing and art in my life but, you see where this is going right? I spent fifteen minutes brainstorming titles and got nothing. I seriously, I mean SERIOUSLY, considering not writing the post until I came up with the perfect title which would have meant, of course, that the post would never get written.

Luckily I caught myself in the middle of that vicious cycle and I stopped. I told myself it was just a blog post. Just get the darn thing written. (Ah, if only that worked on me for novels.)

I spent some time this weekend printing out some photographs to use in some art journals for my poetry. I printed out all the inspiration photos from any of the 15 Words or Less photopoetry exercises I’ve done over the years on  ’s blog. I printed out all the in inspiration photos to go with the Native Plant haiku I wrote for National Poetry Month a few years ago. This meant a lot of fighting with the color printer, some good prints made and some so-so prints made. And eventually I pulled out some matte photos of the same stuff I had printed at the drug store thinking I’d use some of them too. My idea was to collage the photos into some of the lovely blank journals I have painted recently and then print the short poems in the journal along with the inspiration photo. I had lots of journals prepped because my go-to thing when doing art is to do a color-wash on a page of a blank journal.

In my head I had this picture of a journal full of watercolor pages with these pictures and my poems and then I’d do some collage with my beautiful papers and then some of the doodling I love. I didn’t want a scrapbook. I wanted art. And in my head, it was a masterpiece.

In reality, at the moment, none of the project is making me happy. The thin paper has photos that don’t look very sharp and the drugstore photos look like, well, modern photographs which don’t match up with the watercolor backgrounds. I’m two steps away from tossing it all in a box and putting in the laundry room so I can forget about it for a while. I’d much rather just grab a blank journal and start covering the pages with color. It’s easy. It’s fun. And I already know how to do it.

And I realized that’s what happens with my writing too. When the going gets tough, I go write something else. Beginnings? No problem. I’m great at first chapters, first pages. Poems that will never be published? Sure thing, I’ll get right on that. Novels that are broken or unwritten or finished but need to be tossed and started over? Stories that exist as a perfect vision in my head that never make it onto the page? Got lots of those too.

Now I’m not beating myself up (much) about my habits of starting and my failures in the follow-through department. I’m just noticing the pattern. And I’m thinking that maybe what I have been worrying about so much of the time, the not finishing, the starting way too many things and then discarding them, maybe it’s not always a bad thing. Maybe it’s just “my” thing. My process. Like working a puzzle. Some people might put the outside edges together and then look for matching colors and work within that group of colors, putting things together. Other people might just start in one corner and pick up piece after piece after piece to try against the same spot. They’ll eventually make the connection, it’s just going to take them longer.

I don’t always work that way but when I do I have allowed myself to feel “less than.”  And by that I mean even while I’m doing it, I know I’m taking the longest, hardest way possible and I know other people would do it differently and get there faster and the fact that I’m not doing it the same way as other people has often made me feel less than them. Less than right. Less than the creative person I know I am.

And that’s wrong.

Now I can see that my long meandering way is just that, my long meandering way to the same end, just with a different view as I journey.

This morning I took another look at the photographs printed on paper and printed like photographs. And I looked at the colored journal pages. I gazed at the blank white pages of another journal, still tempted to just grab my watercolor crayons and do something easy.

But I thought about Max, the dog in one of my novels-in-progress. I thought about how I found that newspaper clipping last week that confirmed the crazy painful plot idea I had was valid. I knew from the start that Max was going to be a hard book to write but that it was also going to teach me a lot about writing. And I got that tingle. That little tingle we get when we know we’re on the right path even if it looks like we’re going to fall off the edge of the cliff with just one more step. I love that feeling. It confirms that I’m doing what I’m supposed to be doing, even if I’m marching to an off-beat drummer.

I took another look at my piles of poems and photographs. I torn some photos into pieces. I grabbed some paint and glue.  And I started to think about how I could create a different sort of art, a different masterpiece than the original vision. I don’t know how long it will take. I’ll only know that when I am done, I will have told another story my way, the only way I know how to do it.

dreamgirl, originally uploaded by susanwrites.

I took a break from all the house stuff today and headed to the studio for a little art time. I had started this collage months ago but finally got the chance to finish it. I have just the spot for her in my office. Well, as soon as all the furniture from all the other rooms gets moved out of there and I can actually get INTO my office again.

(edited to upload a new picture closer to the true colors)

5, originally uploaded by susanwrites.

Today’s art journal entry.

1, originally uploaded by susanwrites.

Added a couple new pages to the Flickr album.

Some people do resolutions or pick a word for the year or maybe a theme or a theme song. Since I am playing with art now I decided to go one step beyond my vision board I created and try a vision journal, well, what I am calling visual affirmations.

You know, I could have really picked an easier first art journal project. But this was a good way for me to learn about the various materials, what I like and don’t like about the different ones and just try things out. I learned a lot in the process. Like backgrounds for these things are hard for me. Mine kept going dark which wasn’t the look I wanted and made it hard to paint over it with anything but black or my trusty white watercolor pencil. I learned there’s a reason that Golden gel medium is the most popular and am only going to use the other brands I have as glue, not top coat. I learned that you can write on mulberry paper with a Sharpie but not a watercolor marker. Oops. I learned that sometimes the vision in your head for a page never quite makes it down on the page in the same way. (hmmm…that sounds a lot like writing.) I learned that I can think outside the box but that it doesn’t come easily for me. (Which means, of course, I just need to do more of it.) I learned that I am not a natural doodler and those little swirly things that look so simple and easy AREN’T! There are some pages I like a lot and some that are just so so but I love the book as a whole.

My intention is to keep it next to my bed and look through each night before bed and first thing each morning. I learned a lot about myself as I worked on the book, thinking about the pictures and words I chose and why they had meaning for me. By the time I got to the end, I had my theme for 2010 worked out. For years my friends and family tell me how talented I am, how wonderful I am, how much I am loved but when it goes through the translator in my head, the message gets screwed up. I want to stop that. I want to align the person I see in the mirror with the person the rest of the world sees.

I want to see the me that everyone else in the world sees. So that’s my theme for the year 2010. Here are the pages from the journal. You can click through to see the larger ones or go to my Flickr page and see the whole album in a larger size.

Edited to add: based on the wise advice of my dear friend Eileen aka hulabunny I am going back through these pictures to tell you something I love about each one.

From Vision Journal

Front cover. I picked these pictures for the front because they all make me feel happy about myself. I can remember where I was and what I was doing when each of these was taken and I can recover those wonderful feelings by looking at the pictures. I love the way the border came out here.

From Vision Journal

Torn paper collage that was too glossy. I was going for a mountain but it came out too much like a triangle. Tissue paper over the torn paper to tone down the glossy. I had so much fun doing the torn paper collage and I love the row of pics of me down each side border.

From Vision Journal

I really wanted to try the punchiella effect but didn’t have any of that kind of paper yet. So I found a mesh bag that had garlic in it and colored on it with the watercolors then stamped the page. I love how that turned out. I also challenged myself to use a color I don’t normally go toward, a peach, and ended up loving it.

From Vision Journal

I was really happy with the border on this page.

From Vision Journal

I adore this page. Love the colors. Love the mesh of beautiful things. One of my favorite pages.

From Vision Journal

I love my zentangle on this page. It’s a fun and easy one to do.

From Vision Journal

This page looked so different in my head. I love being surrounded by the word CONTENT. This was an experiment in printing on tracing paper. I love the transparent effect without having to wait to do a transfer technique.

From Vision Journal

I like the placement of the food on these pages, especially the one on the right.

From Vision Journal

I adore this page. I love the words on the left and I love the me peekint out from behind the plants.

From Vision Journal

On this page I love the pens pointing to the typing fingers. It came out just like I hoped it would.

From Vision Journal

I love this page! At first it was just a place to play with my new stamps and I figured if I didn’t like the look I could just paint over them. Then I went looking for images that spoke to me and it all came together.

From Vision Journal

Although you might not see the detail, the big heart is all torn paper and I love it. It adds a depth and strength to the heart, much like my marriage adds to my life.

From Vision Journal

This page makes me smile.

From Vision Journal

I had fun with this page.

From Vision Journal

I love the kind of hazy feeling this page has.

From Vision Journal

The energy on this page makes me feel happy, like the way you feel after a good workout.

From Vision Journal

Another favorite page of mine. I love the hummingbird. I love the dog fairy. I love the wishbone "hat"

From Vision Journal

I love the intentions on this page and the way the yellow outlines call attention to the words.

From Vision Journal

This page absolutely captures how I feel about my marriage and how it has enriched my life. I love the quote from Pat Schneider that says, "You can write as powerfully as you want, if you feel safe enough." My marriage has made me feel safe enough to write to the depths of my emotions. I love the wings on the girl jumping.

From Vision Journal

I love seeing all the smiling faces of my friends staring back at me here.

From Vision Journal

I love the crowns…and what you can’t see well in the picture is that the pic of me, on the page on the right at the top of the page, has a little bit of clear glitter around it, as though I have that reflection bouncing back from the world.

From Vision Journal

Back cover. I love how the border came out….amazing what you can do with the letter "C"

When   invited me for a virtual art play date I knew almost at once what I was going to do. I’m working on my vision journal and I was going to work on the second page which I can see, somewhat, in my head. But alas the backgrounds on the second pages are a horrible color and had to be Gessoed over and repainted. So I’m still waiting before I can work on it.

Instead, I thought I’d share the cover of the vision journal and the evolution of it, though I will say that I am tempted to redo it. I don’t like the pink. Sigh.

I started with a yellow background and some pictures of me. I wanted pictures that made me feel good about me and I liked the way the layout happened.

From Vision Journal

Then I got the bright idea to put a border around it all. I should have stopped her and put down a different color. Green maybe. I still might.

From Vision Journal

I tried to soften the pink with white crayon. Then I added the title. I should have tried to mix paint to that deeper pink for the frames. That might have been better.

From Vision Journal

I decided to add some yellow fibery stuff that I liked.

From Vision Journal

I decided to outline the letters in black but then I needed to connect the black so I put the black dots on the pink frames.

From Vision Journal

This journal is sketch pad that where I built up the pages with collage of magazine pages then I painted over them. Because I wanted to do all the backgrounds at once, I took the wire out of the spiral then, once they were all painted, I wove some gold cord back through the holes. I added a couple of flowers and then called it done.

From Vision Journal

But I am really thinking about tearing off the yellow fringe and repainted the frames something else.

Friday was all about Poetry so I’m trying a Saturday Six – art journal edition.

1. The prep. All the early stuff I read said to Gesso the pages of the art journal before doing anything. I did that on a few pages and I have to say I hate it. Okay, maybe hate is strong but I don’t like it. I really don’t like the way it feels. I know it’s supposed to strengthen the page and absorb the water but what I see happening is that paper disappears and I realize that the reason I am drawn to collage is because it is all about the paper. And the appeal of an art journal for someone who doesn’t draw is again, about playing with paper via collage. I will try a few more pages with Gesso but so far, not a fan. But on YouTube there was a video of this person who did their page with no Gesso and instead just built up the page with a layer of paper and then painted over it. Aha! I thought I had landed on the perfect path for me. It was a great way to use up parts of the magazine I was going to throw away. I loved doing the paper base layer but then when it came time to paint over it, guess what? The texture of paper changed again. Well duh! I don’t know what I was thinking, that I could do all these things to paper and it would still feel like paper. So I can see me using both, Gesso when I want a plain background in a hurry and the paper buildup when I want words or whatever is on the paper to show up through the paint or when I am going to apply a thick layer of paint anyway.  I am a very textured oriented person. VERY. So I am really having a hard time with the way the paper changes textures by putting Gesso or paint on it. A really hard time.

2. The paper. In the collage class we have access to some of the most beautiful decorative and handmade papers but those don’t work for the base of the art journal. Since I knew I was going to experiment with the various materials and backgrounds I’ve been using mostly journals I had on hand. I had some sketchbooks (not that I sketched but because I liked the way they felt) and some normal journals with thin pages (I’ve been Gessoning over them)  but I bought two watercolor journals for specific projects and can already see the appeal of those thick pages. Last night I learned about the difference between hot press and cold press pages and realized all I have is cold press. Now I’m on the search for a hot press watercolor book that is spiral bound. (For those, like me, that didn’t know the difference, hot press is smoother paper and cold press is more textured.)

3. Adhesives. Who knew there were so many things to think about with glue?I have three jars of Modge Podge that I don’t think will ever be used because of a fear of tackiness and there’s no way I am sealing every page. Perhaps I’ll find some other 3D object to decoupage that I won’t mind sealing. I bought a couple different kinds of matte medium to try, Golden and Liqutex. I also have a stack of glue sticks from projects I do with kids in the classroom. I tried the glue sticks on the vision board and it probably would have worked okay if I had worked differently, maybe on a small scale. I really like the Golden matte medium and the verdict is still out on the Liqutex since I haven’t tried it yet. One thing for sure, whatever I use, I am going to go through a lot of it. Wow! And I mean a LOT! 3. Tools. Brushes and sponges. Ugh. I hate when the hairs of the brush come loose in the paint or the matte medium. I imagine the expensive brushes don’t do that but I can’t rationalize expensive brushes at this stage of the game.

4. Paint. I bought lots of different art supplies so I could play around with the various things and see what I liked best. I figured backgrounds would be a good place to practice and see what I like best. I have acrylics, watercolors in a box, watercolor pencils and water soluble oil pastels. I love painting with acrylic because it feels like painting. I like the way the brush glides through the creamy paint. But I discovered that straight acrylics dry fast. Like two brush strokes and you’re done, which doesn’t work for backgrounds. Love doing an acrylic wash. I like coloring a page with the water soluble oil pastels but I don’t like the way it looks when I add water. I do like these for adding a touch of color on top of something else. I prefer rubbing this color in rather than adding water. I haven’t done a lot with watercolor pencils yet because I’m working on backgrounds and they aren’t the best way to color a large surface but the little I have played with, I like. I don’t have regular watercolor crayons, just the oil ones, so I don’t know what they would be like but perhaps better? I have only played a little with the watercolors in the box and due to operator error. I have now watched a few more videos on watercolors and feel like I can try again.

5. Design. So many writers tell me they think in pictures, they see their story play out in front of them as if watching a play. I’ve never seen pictures in my stories. I’ve never "watched" my story unfold. I hear voices. Only voices. So this whole "picture" thing has me stymied. How hard could it be to make a background for a page? How badly could you screw up putting a few colors down and smooshing them around? A lot, apparently. I don’t have an eye for this sort of thing. I gorged myself on visiting websites of people who shared photos of their art journals. I oohed and ahhed and then went over and, well, painted a lot of crappy backgrounds. But that’s okay. My new friend Gesso can fix all that. But seriously, I didn’t think it would be that hard to do a background for a page but after doing 12 of them I hate them all. Yes, all! The only think I could think of was covering it all up again with more collage. I think the next ones will be just solid color washes, nothing fancy.

6. The journal. Oddly enough, I am not thinking of doing this journals for actual writing. I do a lot of actual writing else (like on this blog) and I know that the texture of painted or Gessoed pages would feel like fingernails on the chalkboard to me. I think for journals that I plan to write more than a line or two in I will have to stick with water color pages that will feel like real paper when I write in them. But I hope to make art a part of my life and to use it to explore myself and the world around me.

I promised that I would post some of my art so here are my first attempts at collage from the ongoing collage workshop I’m attending now. This is all new ground to me as I’ve never done any kind of art before. But I’m having a wonderful time trying.

Click through for larger pictures.

From First Forays into Art

This is my very first collage from my first week at class. I was having a heck of a time with the leaves on the tree on the right until I looked in my craft supplies at home and found a bag of moss. I had so much fun doing this.

From First Forays into Art

This was the second thing I made in collage class as a gift for a friend. This isn’t the final version. You can see there are areas of brighter yellow around the words. I worked with watercolor crayons to blend the yellows into a color that faded nicely into the paper. I just forgot to take a picture of the final version before I wrapped it up.

From First Forays into Art

This is the cover of what will become my poetry journal. This was pretty much tear and affix as there were some giant chunks of handmade paper in class for me to us. There are places big enough for me to add a title once I figure out what I am going to call it.

From First Forays into Art

This is the cover for a second journal, this one will be just for haiku. I had originally planned for two trees on the front, even tore the paper for it, but then decided that one tree was a enough. There are also a couple of places for a journal title once I get one.

I may have mentioned that I am starting to "play" with art a tiny bit. Play is a hard word for me to use because it’s not something I do often or well. And art, well, I just thought that was the name of some guy I hadn’t met yet. But I am trying. And I’m inspired by many posts about creative journaling from , like this and this and this.

There’s also been a whole lot of "visioning" going on, such as talked about over here on Shrinking Violets and earlier in the week came over to work on vision boards with me. You can see her finished board over here.

And here’s mine. (Click through to see larger pics.) From First Forays into Art"
This was how I started – with a magazine page glued over poster board and pens cut from Levenger catalog. I had a vision of a board of pens but I’m not crazy about the final version with the pens. I would have rather had a group of them like in this picture.

 

From First Forays into Art

Vision board foreground – This is the board when I thought I was done and before I got the bright idea to play with a background.

From First Forays into Art

From First Forays into Art

Final vision board for my writing life. I made so many beginner’s mistakes on this one but it was a learning process for me. I didn’t set out with the intention to mount it on anything so this ended up being built from the top down instead of from the bottom up. Gluing mistakes caused a ton of wrinkles which make the perfectionist in me cringe but I just keep telling myself that the wrinkles merely represent the bumps in the road on my writing path. I also did packing tape image transfers and while it was fine in theory, I didn’t like the shiny bits of tape that came through. I roughed it up where I could with my crayons. After doing this one I feel better about moving forward into my vision journal.

More art in the next post too.

There’s so much to say I could do two editions but I think I will focus on art today.

1. I’ve now gone to three sessions of what I am going to call art workshop though our fearless leader Lori Krein bills it as a collage class. It’s exactly what I needed, a slightly structured, caring and nurturing artistic environment. The group is small, I think there are seven of us, just about right for introverted me. We come to class to work on a variety of collage, decoupage or assemblage projects. I am almost finished with my first landscape. (My art leader Lori has an assemblage in this art contest sponsored by Michael’s. She’s trying to win a trip to New York. Maybe you could help her out by voting? Thanks!)

2. At the retreat I went to last month I talked to my friend Deborah Nourse Lattimore (who is a brilliant artist by the way) about introducing art into my life. This was before I found the collage class. She stressed the importance of playing with art without trying to "make" art. Play is hard for me. I’ve never been very good at it. But I am trying. And I know the art play will help my writing play. I think I love collage because it reminds me of playing in mud. I don’t want to wear gloves – I want to feel the matte medium sliding between my fingers. It makes me feel like a little kid again. And now, everywhere I go, I look at things as a potential canvas, or potential items to use for an assemblage. I used to collect odds and ends like this before, rocks and twigs and pieces of nature that intrigued me. I saved them and saved them and then suddenly, they were gone. I think I had been saving with the intent of having "enough" to do something "perfect" and when I realized that would never happen, I threw them all away. So I am collecting again but hopefully with a different attitude.

3. I’ve been reorganizing the old craft supplies I have and buying a few new ones, like my first set of watercolor pencils and watercolor crayons, a bottle of Gesso, some acrylic paint (yikes) and even a couple of big canvases (only because they were on sale). Most of that is for some ideas I have on creative art journals. Some people do a vision board, I am doing a vision journal, or perhaps a series of small vision boards for various aspects of my life. I got the big canvases so I can try my hand at some larger collage landscapes at home. I’ve been looking at the handmade paper on this site, trying to narrow the purchase down to a reasonable amount. Ha! I’ve also been going through my stash of magazines again. I do this a lot anyway, usually cutting out words to use when teaching poetry classes, but now I’ve added a stack of words just for me and pictures that speak to me that I might want to journal.

4. has blogged a lot lately about the creative journaling that she is doing. She turned me on to a wonderful video that I think is worth a watch if you are a newbie considering such a project. (The woman in the video has an extensive website and series of YouTube videos.) And Shrinking Violets is talking about creating visions for your coming year too.

5. What does all this have to do with writing? So much more than I can put into a Friday Five. I have lived too much of my life bound by constraints of what I shouldn’t do, what I was or wasn’t good at, what was expected of me. A constrained life can lead to constrained writing. If playing with art can free me to play with words, it is worth it at just about any price.

The biggest lesson for me to learn is that art is not math. There is no right answer. If I can learn this in art I hope to apply it to my writing.

I have been pondering commissioning

slatts 

to do a piece of art for me. I started thinking about it a little harder after seeing his Emily Dickenson and John Lennon collage last night. It’s one of my favorites. I love the way he makes connections between the people he chooses for his portraits. He gets me thinking about connections in my own life and how they might relate to my work.

I figured I would have him do one of Ernest Hemingway and Robin Williams since they are my birthday twins and since their distinct personalities say so much about me. (But then I also have this thing for Rod McKuen and for some reason his craggy face seems like a natural for the style that Slatts is known for.) But back to the idea of birthday twins. For some reason last night I decided to see who else might be my birthday twin. To my surprise I discovered that John Gardner, (The Art of Fiction and On Becoming a Novelist was also born on July 21st.

Now I already knew about Gardner’s writing books but reading a bit more about him in Wikipedia I saw something about a book he wrote called On Moral Fiction. It sounded familar. Not because I had read it before but because I had just read ABOUT it in another book by Gregg Levoy called Callings: Finding and Following an Authentic Life (Callings really deserves a post all its own and I will try to do that soon.)

In referring to the book Wikipedia said “… Gardner meant “moral” not in the sense of narrow religious or cultural “morality,” but rather that fiction should aspire to discover those human values that are universally sustaining.

I like that idea. I try to make each story I write ring true with emotional honesty. I believe that when I am able to do that, readers are able to take away something that they know is universally true not just for them but for readers everywhere.

Thanks for the connection, Slatts.