We are on the downward path of weaning Cassie off the steroids and as a result we are beginning to see a bit more of her old self returning. The side effects are lessening more and more each day. Today she was not happy to hear me use the blow dryer because she knew it meant I was leaving the house. And when I came back after being gone just a short time, she was interested enough to sniff me all over for any new smells and then give me lots of kisses to say welcome home, I’m glad to see you. She picked up a stuffed monkey a few times and chased her “egg ball” around the room for a while tonight.
And I smiled.
Less than a year ago I didn’t even know this dog existed and now, now I can’t imagine not having her in my life.
I have talked to other people who have had dogs with similar and worse diseases. Some were told to let the dog go, to put it down before the illness got worse, to save themselves the pain, the money, the struggle of dealing with a young dog who had a disease that would cost them both time and money for the rest of their lives. Not a one of them did. They all stuck with their companion through it all.
I am struggling with Flyboy’s story. I broke my own pattern and started with plot instead of character. I feel like I’ve been dropped off in a foreign country where I don’t know the language. I have journaled him, written letters, journaled more, interviewed him, written more letters, ignored him, cossetted him and even yelled at him more than a time or two. And the simple fact remains, I have no idea what’s going on with the story at it’s most basic level – what does Flyboy want more than anything else in the world and what is he willing to do to get it.
How can I be working on a book for over 20 years and still not know what it’s about?
When I was writing Hugging the Rock I wrote at least 10 versions of it all the time telling anyone who asked that it was a story about my daughter and her relationship with her father. Along about version 15 I realized it was about me. And along about version 17 I finally admitted that it was about me and my dad.
I didn’t get there all at once. I had the help of a fabulous editor who constantly pushed me to go a little deeper each time, to peel away a little bit more of my self-preservation until I was raw and exposed and filled with nothing but absolute emotion and no place to put it except for there, on the page.
I’m not there yet with Flyboy. I don’t have an editor with a vision of the end story that can be my guiding light. I have to get to a certain point on my own. What I have is a sixteen-year-old boy who is a lot like I was at that age, wondering where he fits into the family dynamics. A square peg in a round hole. I can see the pieces, I just don’t know what to do with them. It’s like Cassie’s bumps, we could see them, but until someone put them under a microscope and looked real close, they were just bumps under the skin.
And I think I figured something out today. I don’t think it’s Flyboy that has to go under the microscope for a closer inspection – I think it’s me. I need to reconnect with the part of me that is a part of him. Until I do that, he’s just a name on the page, not a flesh and blood character that will have you rooting for him as you turn the page.
It might sound easy, like giving Cassie the right medicine once we got the correct diagnosis, but I’ve been there before. I know better. There are going to be side-effects from going deep. It’s not going to be pretty, not at first. It’s going to hurt to look at some of those parts of me that I know need to go into the story.
Some people might give up on a story after 20 years and no results. Especially knowing the path ahead of them.
But the thing is, me and Flyboy, we’ve been together a long time. I can’t imagine not having him in my life. He’s counting on me to tell his story.